Monika Pasiecznik is a new music critic, researcher and curator who teaches at the Chopin University of Music in Warsaw. She is the author of »Rytuał superformuły« (2011) on Karlheinz Stockhausen and co-author of »Pozmierzchu« (2012) on new music theatre. Her dissertation »From Presenting Works to Producing Critical Knowledge« (2024), on recent curatorial experiments in public concerts, was published by the Foundation for Polish Science in the prestigious »Monograph FNP« series.

https://pasiecznik.wordpress.com/

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